Jansen-Luke’s illustration fashioned a part of her thesis, One among these isn’t like the opposite: Our mark on an eroding shoreline, and her media for the 1600 x 600mm/2000 x 720mm paintings had been aluminium plate, acid, ink and watercolour paper.
The judges famous that bringing collectively the subject material (erosion) and the drawing methodology (erosion) has allowed for a lovely and prolonged contemplation on the atmosphere, transference, loss and manufacturing. “The aluminium plate and print are meditations on the eroding shoreline in Abel Tasman Nationwide Park, which embed time into the works – bodily, narratively and metaphorically.”
This yr’s choice panel was made up of Sarah Treadwell, Marian Macken, Ashleigh Smith, Karamia Müller, Simon Twose and Lynda Simmons and the Drawing Archive choice is sponsored by Metalcraft.
For extra details about the archive and to view earlier annual choices, refer architecturewomen.org.nz/drawings.
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